The novelist Paul Bailey, who passed away last year at 87, was celebrated for his comic brilliance, profound compassion including for his deeply imperfect creations, and a sharpness that never felt cold. His novels repeatedly investigated the power of memory on human existence, fueled by witty, staccato exchanges. Beyond novels, he worked as an autobiographer, verse writer, and other capacities—this is an overview to the books he left behind.
The author appeared as a gregarious individual, a skilled communicator with a love for “trivial chit-chat”, as one character notes. Alongside pal author Beryl Bainbridge used to view the serial drama Coronation Street and analyze it telephonically. This enjoyment of gossipy exchanges is evident in his novels the book Trespasses (published in 1970) as well as Peter Smart’s Confessions (released in 1977). Each includes a main male protagonist besieged by funny, annoying, over-the-top characters, usually kin whose influence is inescapable. “Who wants to be normal anyway?” Ralph’s mum questions within Trespasses upon his coming out. Comparable to hanging out with your wittiest, boldest friend.
Paul Bailey authored superbly on old age, at both ends of his writing journey. His first book At the Jerusalem (published in 1967) details Faith Gadny’s experiences while she adapts to a care facility, where fellow residents supply compassion absent in employees, whose engagement through questions “Why not view the TV, ladies?”. Within his second-last book Chapman’s Odyssey (released in 2011), an aged patient switches between arguing with doctors (“I consume only fine wines”, he insists when scolded for liver results) and confronting past remembrances from his parent, romances, fictional icons including Pip by Dickens and Emma by Austen. Both books are filled with humorous dialogues but marked by approaching finality. In Bailey’s fiction, smiles are deceptive. Within At the Jerusalem, “the matron beamed, then stopped suddenly”; Faith Gadny chuckles anxiously if her actions are questioned. In Chapman’s Odyssey, Harry warns that “my laughter is not genuine”. Readers’ smiles, however, are authentic.
Apart from his stories, The author excelled as a gifted memoirist, releasing two self-written volumes. the memoir An Immaculate Mistake (from 1990) is a masterwork of memory, its title derived from his parent’s remark calling him “our error” and saying he shouldn’t exist. (“She was old now, and letting go of her secrets,” he notes. “She understood this would captivate me.”) Here we see the roots of misguided, loving, frustrating parents throughout his books. It also paints a moving picture of a homosexual young man in the 1940s–50s, when homosexuality was illegal, and his kin viewed it as suspicious for a boy to buy his mother flowers; and of a would-be thespian (Paul Bailey performed before writing) who could recite Hamlet as a teen. His follow-up autobiography A Dog’s Life (2004) centers on existence alongside his mixed-breed dog Circe, his ex-partner David, his affection for Romania—that influenced subsequent books such as Kitty and Virgil, Uncle Rudolf, plus the book The Prince’s Boy—and loads of chatter, with a story regarding Iris Murdoch calling an audience member an “idiot”.
The author’s fiction are generally brief—the notable Old Soldiers (1980) is barely 100 pages—however, for a more condensed choice, try his poetry in his final phase. The pair of volumes Inheritance (published in 2019) and the title Joie de Vivre (released in 2022) exhibit Bailey’s wit, empathy, precision in small packages. These writings are full of mortality and existence. Two love themes recur: about his parent (“I’m closer to you now – / I need to tell you – / than I ever was in life”) and for his civil partner Jeremy Trevathan. In Amazement, he writes of the happiness from enjoying “foolish television” side by side, concluding with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”
There is little debate that the author’s most expansive book was Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He also judged the prize in 1982, an experience he despised.) This was the book the author was most proud of, although “it consumed all his energy”. It relates the tale of Gabriel Harvey, whose mother vanishes and a father who becomes an unbearable snob following a financial windfall, and the events may link. It serves as a portrait of London in the 1900s, a story of mental breakdown, and as funny and sad as anything Bailey wrote. Additionally, it prompted a subsequent book, Sugar Cane (from 1993), that he investigated by visiting brothels as an observer.